感知生态学:广州影像三年展2025 分享会[厦门站]
三影堂厦门摄影艺术中心
2025/11/01 3:00 PM
嘉宾
王绍强(广东美术馆馆长、广州影像三年展总策划)
何伊宁(广州影像三年展 2025 策展人)
蔡东东(艺术家)
丘(艺术家)
龙盼(艺术家)
在技术图像大规模生产与泛滥流布的当代语境中，越来越多艺术家开始回归传统摄影工艺、探索材料实验与装置化展示，深入研究技术图像与其物质支撑之间的生成性纠缠。这一实践取向与人文艺术领域近年来围绕“新物质性”的讨论与策展实践形成了重要的互文关系，其中“新物质性”特指对材料过程、媒介载体、质感与感官呈现的重新关注，而非哲学层面的完整理论体系。
正如桑德拉·普拉默、哈里特·里奇斯与邓肯·伍尔德里奇所指出，对摄影持续物质性诉求的关注正在当代实践中回归。他们将此描述为一种“物质性转向”–在批判性再激活模拟工艺遗产的同时，突破其既定历史边界，开启指向未来的多重媒介想象。这种转向不仅是对传统工艺的致敬，更是对未来影像可能性的探索。
广州影像三年展2025以“拓展的摄影”为核心理念，在算法洪流奔涌的视觉纪元中重铸人与现实的纽带。当代艺术家们通过数字美学与后数字美学的交织，构建注意力机制的另类形态，编织出自然与记忆的新想象共同体。
此次厦门站的分享会将以此为背景，围绕影像与物质性在算法时代的关系展开深入探讨。分享嘉宾们将结合展览主题和自身实践，分析传统工艺与当代技术的创新融合可能性，并思考在感知危机之中艺术如何为现代认知注入新的活力。
Ecology of Sensibility: Guangzhou Image Triennial 2025 Round Table [Xiamen ]
Three Shadows Photography Art Center, Xiamen
2025/11/01 3:00 PM
Guests:
- Wang Shaoqiang (Director of Guangdong Museum of Art, Chief Curator of Guangzhou Image Triennial)
- He Yining (Curator of Guangzhou Image Triennial 2025)
- Cai Dongdong (Artist)
- Qiu (Artist)
- Long Pan (Artist)
Session Theme: Materiality Turn and Photographic Practice
In the contemporary context of large-scale production and widespread dissemination of technical images, an increasing number of artists are returning to traditional photographic processes, exploring material experiments and apparatus-based displays, and delving into the generative entanglements between technical images and their material supports. This practice aligns with the recent discussions and curatorial practices in the humanities and arts around “new materiality,” where “new materiality” specifically refers to a renewed focus on material processes, media carriers, textures, and sensory presentations, rather than a complete philosophical theoretical system.
As noted by Sandra Plummer, Harriet Riches, and Duncan Wooldridge, the ongoing attention to photography’s materiality is returning in contemporary practice. They describe this as a “materiality turn”—critically reactivating the heritage of analog processes while transcending their established historical boundaries, opening up multiple media imaginations oriented toward the future. This turn is not only a tribute to traditional craftsmanship but also an exploration of future possibilities for images.
The Guangzhou Image Triennial 2025 takes “expanded photography” as its core concept, recasting the bonds between humanity and reality in an era of surging algorithmic visuals. Contemporary artists, through the interplay of digital aesthetics and post-digital aesthetics, construct alternative forms of attention mechanisms, weaving new imagined communities of nature and memory.
Against this backdrop, the roundtable will explore the interplay between images and materiality in the algorithmic era. Drawing on the exhibition’s theme and their personal practices, the guests will examine the potential for innovative integrations of traditional techniques with contemporary technologies, and contemplate how art can rejuvenate modern cognition amid perceptual crises.