Between Mountains, Hills and Lakes,Gaotai Gallery(Exhibition) 在群山、丘陵与或湖泊之间,高台当代艺术中心(展览)

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艺术家:托马斯·布拉西、奥尔加·卡菲罗、陈海舒、马修·加弗苏、凯瑟琳·洛伊滕艾格、克里斯多夫·奥斯格、弗吉尼·赫贝特、史蒂芬·温特、朱岚清

策展人:何伊宁

Curator: He Yining

Artists: Thomas Brasey, Olga Cafiero, Chen Haishu, Matthieu Gafsou, Catherine Leutenegger, Christoph Oeschger, Virginie Rebetez, Stephane Winter, Zhu Lanqing

主办方:高台当代艺术中心

发起方:瑞士文化基金会

时间:2021年3月10日至2021年5月5日

合作伙伴:画英雄,假杂志,PermaJet

 

Host: Gaotai Gallery (Urumqi)

Initiator: Pro Helvetia Shanghai, Swiss Arts Council

Time: Mar.10, 2021 - May.5, 2021

Sponsor:Painting Hero,Jiazazhi Press,Perma Jet

展览活动 Events

开幕论坛 Opening Lecture

讲座题目:咆哮巨人的田园诗

瑞士山地摄影的过去和现在

主讲人:达娜厄‧潘乔德 (Danaé Panchaud)

瑞士Photoforum Pasquart总监、策展人

讲座时间:2021年3月13日,21:00-22:20

讲座介绍:如果你曾经从日内瓦乘坐火车,绕过湖泊,前往阿尔卑斯山,你可能会注意到一个奇怪的现象:每年数百次乘坐这列火车的大多数乘客都坐在火车的右侧。当火车到达湖边时,你就会明白为什么:那是能看到湖面和山峦的一侧。而且任何一个上班族都会告诉你,风景永远不会有两次相同,你也不会厌倦。

瑞士人对自己国家的风景非常热衷,觉得能生活在这样的环境中很荣幸。但事实并非一直如此。几个世纪以来,山区被认为是一个充满敌意的领域:威胁性和不可预测性,几乎无法航行,而且大多是贫瘠的。但到了1839年摄影术发明的时候,人们对阿尔卑斯山环境的认识已经发生了变化。在很大程度上是由于富裕的英国游客的影响,山区激发了人们的敬畏之心和征服欲望,以及科学的好奇心——所有这些都转化成了一个不断扩大的摄影群体。如今,山峰仍然是瑞士摄影师的重要主题,他们不断记录这片不断发展的土地,探索其象征性和诗意的潜力。

主讲人介绍:达娜厄‧潘乔德(*1983年,瑞士)是一位博物馆学家、策展人和讲师,专门从事摄影工作。自2018年以来,她一直担任瑞士比尔市Photoforum Pasquart的总监和策展人,这是瑞士致力于当代摄影的主要机构之一。她的计划主要关注新兴的当代摄影实践以及摄影的社会和大众用途。她曾在沃韦摄影学院接受摄影培训,之后在日内瓦艺术与设计大学完成了视觉艺术学士学位,并专攻策展实践。她随后在伦敦大学伯克贝克分校学习博物馆学,2017年获得硕士学位。潘乔德曾在瑞士多家机构担任当代艺术、设计和科学领域的职务,2014年至2018年在Vevey摄影学院担任讲师。

Gaotai Gallery

“Between Mountains,Hills and Lakes” Zoom Lecture

Title:Idylls with Roaring Giants

Swiss Mountain Photography Then and Now

Lecturer: Danaé Panchaud

Time:21:00-22:20,13th March,2021

 

The introduction:

If you ever take the train from Geneva, around the lake and towards the Alps, you may notice a curious phenomenon: most of the commuters, who take this train hundreds of times every year, sit on the right-hand side of the train. As the train reaches the lake, you will understand why: it is the side with the view of the lake and the mountains. And as any commuter will tell you, the landscape is never twice the same, and you cannot get tired of it.

Swiss people are very passionate about the landscapes of their country and feel privileged to live in such a setting. It has not always been the case. For centuries, the mountains were considered a hostile territory: threatening and unpredictable, hardly navigable and mostly infertile. But by the time photography was invented, in 1839, the perception of the Alpine environment had shifted. In no small part due to the influence of wealthy British tourists, the mountains were inspiring reverential awe as well as an appetite for conquest, alongside scientific curiosity – all of which translated into a growing photographic body that never stopped expanding. Nowadays, the mountain remains an important motif for Swiss photographers, who keep on documenting this evolving territory and exploring its symbolic and poetic potential.

 

And the biography:

Danaé Panchaud (*1983, CH) is a museologist, curator and lecturer specialising in photography. Since 2018, she has been the director and curator of the Photoforum Pasquart in Biel, Switzerland, one of the leading Swiss institutions dedicated to contemporary photography. Her programme focuses mainly on emerging contemporary photography practices as well as the social and vernacular uses of photography. She trained in photography at the Vevey School of Photography before completing a BA in visual arts with a specialisation in curatorial practices at Geneva University of Art and Design. She studied museology at Birkbeck, University of London, earning a MA in 2017. She has held positions in several Swiss institutions in the fields of contemporary art, design and science, and was a lecturer at the Vevey School of Photography from 2014 to 2018.